This previously unreleased track is our gift to you for Piano Day 2020. It was originally recorded during the 'Constellations' sessions in late 2009. Stream/DL via Bandcamp.
We are making this track available but we also are encouraging you to make a contribution to a local charity dedicated to delivering relief to hospitals and medical workers if you have the means to do so. It is critical for us to show our support to those taking care of our most vulnerable during this time.
100% of funds from purchase of this track will be donated directly by us to COVID-19 relief organizations in Austin, Texas.
Thank you for your listening and for your help. We love you all and wish you wellness and peace.
Clash goes in-depth with our recent time at Saal 3 in Berlin.
Words by Derek Robertson and images by Francesco Lusa.
CANDOR (Alt. Music Video)
We found this previously unreleased video in our archives. It was collaged from various copyright-free archival home videos. 'Candor' appears on the a-side of the 'Candor/Clamor' 7" release from 2010 via Western Vinyl. View via YouTube.
Balmorhea’s Michael A. Muller has announced his debut solo album, Lower River. The first single, backed with a rework by Bing & Ruth’s David Moore along with a haunting film by Andrew Gallo are all streaming now. Pre-Order Vinyl / Pre-order Digital / Spotify / YouTube
New Spotify artist playlist is up and streaming now.
The full run-down of all our acoustic guitar-based tracks.
Stream via Spotify
All is Wild, All is Silent was released 10 years ago today (March 10, 2009).
Read a feature & interview by Arctic Drones on the decade in between.
Read the original Pitchfork review of the album.
Film embeds, image galleries, quotes and insight from director Claire Cottrell and Balmorhea members related to our film trilogy project: View here
One year ago we released ‘Clear Language: Reworked’. Featuring moving renditions by
William Basinski
Chihei Hatakeyama
Jefre Cantu-Ledesma
Jon Porras
Christopher Tignor
Christina Vantzou
Streaming now on all platforms
Artist’s Pick: a dark and quiet selection of tracks for our seasonal mix. Stream via Spotify or Apple Music.
We had the pleasure to score a new film by Hervé Mimran entitled Un Homme Pressé.
It opens tomorrow w/ full theatrical release across France.
Music from the film is now streaming on all platforms.
View trailer & showtimes here.
THE MOST FLEETING — a new, solo piano track is out now on volume four of 1631 Recordings’ Piano Cloud Series. This piece was inspired by an interview with Ryuichi Sakamoto, in which he extols the importance of artists spending time unoccupied in the natural world. The song was recorded and mixed at Church House Studios in Austin, Texas by David Boyle on his 1913 Steinway. Audio mastering by Taylor Deupree. We are elated to contribute to this release alongside such artists as Akira Kosemura, Eluvium, The Album Leaf and many others. Stream and download via your favorite platform. Thank you for for listening.
Amazon, Apple Music / iTunes, Bandcamp, Deezer, Spotify, Tidal
Balmorhea violinist Aisha Burns’ new solo lp ‘Argonauta’ is out 5/25 on WV.
Click here for ordering, streaming + more info.
CHIME/SHONE 7"
A special 'RSD First' for Record Store Day - April 21, 2018.
Strictly limited to 1000 copies on transparent gold vinyl with black swirls.
via Western Vinyl. Includes download card.
TEXAS
Pleased to announce some very special shows this May in our home state.
May 17 The Kessler Dallas, TX (Tickets)
May 19 The Heights Theater Houston, TX (Tickets)
May 20 Paper Tiger San Antonio, TX (Tickets)
All dates w/ special guests Will Johnson + Adam Torres (5/19 only)
Clear Language: Reworked is available now for download & streaming. Featuring moving renditions by William Basinski, Jefre Cantu-Ledesma, Chihei Hatakeyama, Jon Porras, Christopher Tignor & Christina Vantzou.
WNYC's 'Soundcheck' premieres an exclusive Spotify playlist: Songs from the Clear Language Tour.
A collection of songs from the van on the fall 2017 tour.
(bal-mə-RAY)
A decade-plus on the road, near-constant musical output, and shifting creative priorities caused the Austin multi-instrumentalists Rob Lowe and Michael Muller, to soberly assess the band’s future. What, in the form of Balmorhea, was there left to say? And did they have the energy to say it?
Stranger, the group’s maximalist, genre-leaping full-length from 2012, had already seemed to trace the group’s farthest bounds. And, over the years, they’d worked with a roving cast of accomplished string and rhythm players to craft a glassy-eyed, sage-brushed, instrumental Americana that, while celebrated in The New Yorker, Pitchfork and The Atlantic, among myriad other press, and attracting the film, ad, and television worlds risked pigeonholing them for good.
As they had in the beginning, in 2006, Muller and Lowe worked simply and with restraint, letting intuition guide them as they molded the 10 elegant, spacious gestures that comprise Clear Language. A relaxed, clear-eyed sense of reflection flows gracefully through the album as these two old friends transmit unfettered meaning through simple sonic gestures that resonate with the cosmos as much as they echo the pulse of a human heart.